Antihymeneal
Hymns
"Songs
Against Marriage"
Written
1964
Background: In
high school, I wrote a script for a proposed musical play called Follow
Your Star. For more details, click the logo.
The
musical numbers were, in general, not original. The score was
a pasticcio of all sorts of existing music, from Bach to polkas, with
lyrics that could be made to fit the plot. (The title came from
a Rodgers and Hammerstein song, "Hello, Young Lovers" from The
King and I.)
Here
are three cases, however, where I wrote original lyrics to existing
music. Perhaps to offset the conventional love-and-marriage
mindset of the rest of the songs, these parodies took an opposing view. |
First,
the characters Fred and George proclaim their steadfast bachelorhood.
When
girls chase you, don't give in;
They
can't catch stouthearted men.
Such
a girl will never win.
And
then to the martial 1927 tune of Sigmund Romberg's operetta song,
"Stouthearted Men," they sing not Oscar Hammerstein's
words, but mine.
FRED (in
minor key):
Men!
Take
your stand!
Valiant
men!
Be
not dismayed!
Though
Near
at hand
Danger
lurks,
Be
not afraid!
GEORGE:
Though
your way be hard and oppressive,
Never
give up hope, never fail.
FRED (in
major key):
You
Can
be free!
There's
a way:
Follow
me!
(back
to minor)
For
a harried man
Is
the married man.
(modulation
to refrain)
GEORGE:
Show
me ten men
Who
are stouthearted men,
Who
endure all the terrors of wars;
Show
me ten men
Who
are stouthearted men,
And
I'll show you ten bachelors!
FRED:
But
I would bet
You
can't show me ten men
Who
are stouthearted men.
GEORGE:
Not
today.
BOTH:
Yes,
The
fairer sex
Can
make men do whate'er they say,
But
when
Stouthearted
men
Stand
firm, the girls are kept away!
Update:
In 2002 I discovered two additional verses that I wrote for a
reprise of this song. A couple named Albert and Henrietta, who
seem to be having marital troubles, take turns coming downstage and
singing to the audience.
ALBERT:
Men!
Let's
rebel!
To
your wives
No
longer cling.
You
Cannot
tell
All
the cares
And
woes they bring.
Wives
are selfish, and they're oppressive;
They
complain and nag all the time.
You
Can
be free!
There's
a way:
Follow
me!
For
the married man
Is
a harried man.
HENRIETTA:
Wives!
Let
them go!
Men
are cads,
Selfish
and cruel.
You
Surely
know
How
they use
You
as a tool.
Husbands
want to make all decisions;
They
impose on you their own will.
You
Can
be free!
Have
a thrill;
Follow
me!
There
is no worse life
Than
to be a wife.
But
then other characters interrupt: Eeney, Meeney, Miney, and
Jane. Pretending to be gipsies who are "always happy like
a meadowlark in Budapest," Jane and her friends sing and
ultimately dance the following.
Children,
hush! When two are wed,
Selfishness expires;
Put
your spouse's int'rests ahead
Of your own desires.
Marriage
should be free from hate.
Spite should be sent winging.
When
your wife's a little bit late,
When
he says that you're overweight,
Laugh
it off! Forgive your mate;
Be glad he's yours, and sing . . .
How
naynee naynee now!
How
naynee naynee now,
How
naynee naynee now,
How naynee now;
Alaykee
leedy bord,
Alaykee
leedy cord,
Alaykee
leedy dord,
How naynee now!
Johoo
dehay de boe,
Johoo
dehay de coe,
Johoo
dehay de doe,
How naynee now;
Pow
haydee saydee bot,
Pow
haydee saydee cot,
Pow
haydee saydee dot,
How naynee now! Olé!
from
the 1943 Warner Brothers cartoon "Pigs in a Polka"
The
first half of this piece is set to Tchaikovsky's Chanson Triste, Opus
40, Number 2. But when I wrote that chorus, I must have been
"speaking in tongues." Or perhaps I was anticipating
the musical Hair, which came out a few years later and
included these lyrics in the song "Good Morning Starshine":
Gliddy
glub gloopy
Nibby
nabby noopy
La
la la lo lo
Sabba
sibby sabba
Nooby
abba nabba
Le
le lo lo
Tooby
ooby walla
Nooby
abba naba
Early
morning singing song
The
second song showed women in favor of independence, at least
until Mr. Right comes along. The character Marianne sings
"Bidin' My Time" as originally written in 1930 by George
and Ira Gershwin. But for the character Mrs. Faversham, I also
wrote a counter-melody, a simple, gently swinging tune with its own
words. (At least I think I wrote this melody; I could well have heard
it somewhere.)
After
an introduction consisting of a single note, Mrs. Faversham sings my
first verse; her part is given in red.
Then Marianne (in blue)
comes
in with the Gershwin tune while Mrs. Faversham continues.
Finally for the last chorus, both join with Marianne's friend
Jeannette to jazz up the Gershwin version. I had been
influenced by watching jazzed-up Gershwin like this
on TV.
There's
never been a reason
To
dispute the mating season;
But
you must, with care, remember
This
is May, and not September.
You've
got your life to live, so don't be in a hurry.
You've
got your love to give; you'll find someone, don't worry.
Never
ask for trouble but just keep busy
And
take it easy and bide your time!
I'm
bidin' my
time,
'cause
You've got your life to live, so don't be in
a hurry.
That's
the kinda gal I'm;
You've got your love to
give; you'll find someone,
don't worry.
While
other folks grow dizzy,
I keep busy
Never ask for trouble but just keep busy
Bid
- in'
my time.
And take it easy and bide your time!
Next
year, next year,
Somethin's
bound to happen;
This
year, this year,
I'll
just keep on nappin', and
Bid
-
in' my
time,
'cause
So you can see, my dear, there is advantage
to it;
That's
the kinda gal I'm;
Just keep on sitting here,
There's no regrettin'
And
plan before you do it. There is opportunity,
When
I'm settin'
Don't
use importunity;
Bid
- in'
my time.
Just take it easy and bide your time!
ALL:
I'm just bidin' my time,
'Cause
that is the kinda gal that I'm;
While
other folks grow dizzy,
I
keep busy
Bidin'
my time.
Next
year, next year,
Somethin'
is bound to happen;
This
year, yes, this year,
I
will just keep right on nappin',
And
bi-bi-bidin' my time,
'Cause
that (beat) kinda gal I'm;
There
is no regrettin' when I am settin'
Takin'
it easy and bidin' my time!
Takin'
it easy, takin' it easy,
Takin'
it easy and bidin' my time!
The
final song, which I like the most, is for men's voices in four
parts. It's set to music by Johann Sebastian Bach.
The
music is the seventh movement (Bourrée) from Partita No. 1 in
B minor for solo
violin, BWV 1002. I must have encountered it in a
piano transcription that claimed to be from Bach's "Second
Violin-Sonata." That's apparently inaccurate, and I didn't
identify the correct work until 2004. (Bach wrote a lot
of music.)
My
arrangement is in G minor and marked Allegro
con Spirito.
You can see the manuscript by clicking here.
The
words are perhaps a little anti-feminist.
ALL:
They don't make girls the same nowadays.
They
don't make girls as they used to do.
Not
so sweet,
Oh,
no, they're not quite so sweet;
Not
so kind,
Oh,
no, they're not quite so kind;
Not
so sweet, not so kind,
Not
the way they used to be.
The
maids today aren't olden-time maids,
Not
golden-time maids.
Oh,
how we yearn for yesteryear's maids,
Pretty
maids,
Simple
maids,
Lovely
maids . . .
Oh,
yes!
For,
generally speaking,
Girls
today are not the same!
They
don't make girls the same nowadays.
They
don't make girls as they used to do.
Not
so meek,
Oh,
no, they're not quite so meek;
Not
so mild,
Oh,
no, they're not quite so mild;
Not
so meek, not so mild,
Not
the way they used to be.
The
quiet maids the world used to know,
Oh,
where did they go?
Today's
bold maidens must run the show.
Gentle?
No.
Charming?
No.
They
make dough . . .
Oh,
yes!
For,
generally speaking,
Girls
today are not the same!
SOLO:
And folks ask, "Why is chivalry dead?
Why
do men not show respect to women?
I
wonder why."
It's
because the women aren't so tame!
For
damsels in distress have a charm
That
makes men want to help them all they can,
But
today's females have gained all the rights
That
the males have, so they don't need any man to help them.
Girls
today are not the same!
ALL:
They don't need us, they say;
"Why
not throw men away?"
We
don't like this attitude,
For
it deprives our starving egos of their food
To
think that helpless little females
Get
along without us long, without us.
We
don't like to think they
Can
be strong without us long, without us.
We
are men, and strong,
And
they are wrong,
And
they are wrong without us!
(INSTRUMENTAL:
Girls today are not the same!)
ALL:
It is we who are strong!
SOLO:
And our women should be soft and feminine . . .
ALL:
Once they were.
Once
they were.
Once
they were.
Why
not now?
They
don't make girls the same nowadays.
They
don't make girls as they used to do.
Not
so sweet,
Oh,
no, they're not quite so sweet;
Not
so kind,
Oh,
no, they're not quite so kind;
Not
so sweet, not so kind,
Not
the way they used to be.
The
maids today aren't olden-time maids,
Not
golden-time maids.
Oh,
how we yearn for yesteryear's maids,
Pretty
maids,
Simple
maids,
Lovely
maids . . .
Oh,
yes!
For,
generally speaking,
Girls
today are not the same!
They
don't make girls the same these days.
They
don't make girls the same!
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